Cooke Mini S4/i 50mm T2.8
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Cooke Mini S4/i 18mm T2.8
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Cooke Mini S4/i 25mm T2.8
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Cooke Mini S4/i 32mm T2.8
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Cooke Mini S4/i 40mm T2.8
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Cooke Mini S4/i 50mm T2.8
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Cooke Mini S4/i 65mm T2.8
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Cooke Mini S4/i 75mm T2.8
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Cooke Mini S4/i 100mm T2.8
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Cooke Mini S4/i 135mm T2.8
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| Close Focus | 250 mm / 10" | 250 mm / 10" | 139 mm / 5" | 240 mm / 9.5" | 311 mm / 12" | 500 mm / 20" | 564 mm / 22" | 711 mm / 28" | 790 mm / 31" |
| Length | 120 mm | 106 mm | 110 mm | 110 mm | 137 mm | 135 mm | 137 mm | 137 mm | 158 mm |
| Weight | 1.3 kg | 1.4 kg | 1.6 kg | 1.7 kg | 1.5 kg | 1.6 kg | 1.6 kg | 1.6 kg | 1.8 kg |
| Aperture | T2.8 - T22 | T2.8 - T22 | T2.8 - T22 | T2.8 - T22 | T2.8 - T22 | T2.8 - T22 | T2.8 - T22 | T2.8 - T22 | T2.8 - T22 |
| Front Diameter | 110 mm | 87 mm | 87 mm | 87 mm | 87 mm | 87 mm | 87 mm | 87 mm | 87 mm |
The name "Mini S4" perfectly represents the characteristics of this series: all the optical quality of the Cooke flagship series, the S4/i, in a more compact and cost-effective alternative.
Without compromising on the optical quality, allowing DoP to find the famous “Cooke Look” with a warm, enveloping yet precise and contrasted image, the Mini S4/i series offers a less expensive alternative to the S4/i series, ideal for projects that doesn’t require a wide aperture. With this optical quality and the "Cooke Look" they maintain, the’re perfectly consistent with the other series of the brand.
Their mechanical quality is also comparable to that of the S4/i, enjoying a solid construction, a uniform design throughout the series and Cooke internal cam-style focusing movement resulting in a completely smooth focus ring, without any stiffness.
Mini S4/i are available "Uncoated", that is to say without any treatment on the front element, which will allow a lot more flare, an often wanted effect especially in advertising or music video.
The "/i" indicates that the lenses integrate a communication system within the mount to record focus and aperture metadata on compatible cameras.